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He couldn’t do the cremation of his father with his own hands but under the guidance of village elders, he did perform all other rites including Pagdi and finally, he came back to Kolkata. After his Guru’s death, my father left Lahore for his native village in Rajasthan. Within a few days of my grandfather’s death, Khan Sahib also died. Even he failed to come home when my grandfather died because of his Guru Ustad Bahre Khan Sahib also being on the death bed at that time. One fine day he left his home for Lahore, joined Kirana Music School’s Ustad Bahre Khan Sahib as his disciple and served for Khan Sahib till the end. He tried his best to keep his only son away from music but my father had devoted himself to the Indian Classical Music. That’s why my father’s inclination towards music came as a shock of life to my grandfather. No one in our family had even the remotest relation with music. Well-known classical vocalist Pandit Jasraj is Kamla Bua’s brother in law and Pratap Narayan Foofa ji’s younger brother.īeing his only son, my grandfather had great expectations from my father that he would look after and expand his family business. SulakshanaPandit, Vijeyta Pandit, Jatin, Lalit Pandit are Kamla Bua’s children and my cousins. My youngest Kamla Bua was married to Mewati Music School’s renowned vocalist and instrumentalist Pandit Pratap Narayan Ji who was from the Mewat region in Haryana originally. Originally from Jodhpur, my maternal grandfather had settled in Gondia decades ago. My mother Ambika was from Gondia (Maharashtra). My father Pandit Jai Chand Bhatt was at no. Later on, her family shifted to Dera Ismail Khan. That day she cried a lot and cursed all those who were responsible for the partition. It was so remote and peaceful that Baya Bua came to know about the partition months later, only when she expressed her desire to meet her siblings and was told to get a visa from the Indian government. My 3rd aunt Baya Bua was married in Rajasthan only but the area which she lived in, merged with Pakistan after partition. Her husband Pandit Badri Prasad Ji was a renowned classical vocalist who ran a music school in Nagpur. My 2nd aunt Tayi Bua’s family was based in Nagpur. My eldest aunt Sugna Bua was married into a Raipur (now Chhattisgarh) based business family that had roots in Rajasthan. Well-known playback singer Hemlata was hardly 14 when she entered the film world and challenging the predominance of Lata-Asha, she successfully made a very respectful place for herself in the field of playback singing. 3 of the older 6 daughters died very young, thus my grandparents were eventually left with 4 daughters and a son. Later, my grandmother gave birth to one more girl child. His desire for a son made him go on char dhamyatra and perform all kind of worships, eventually, his desire got fulfilled and my father was born.
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Though my grandmother gave birth to 6 daughters yet my grandfather considered himself childless. My grandfather shifted to Kolkata decades ago and started a business in purchase and underselling of lands. My grandmother Pana Bhatt was from Bikaner. My grandfather Pandit Jorawar Bhatt was a priest who had many royal families as his clients. We are from a village Shela originally, which is situated 10 kms away from Ratangarh-Rajasthan. So, here we present Hemlataji’s story in her own words:.
#AKHIYON KE JHAROKON SE MOVIE SONGS WEBMUSIC PROFESSIONAL#
She had a long conversation with the blog Beete Hue Din on this occasion which included many of the untouched and unheard aspects of her personal and professional life. Recently, she came into limelight once again when she recorded a heart touching song for the Beti Bachao Project. In a career spanning 20 years she recorded more than 5 thousand songs in Hindi and other languages and with the changing scenario of the film music she distanced herself from playback singing. Well-known playback singer Hemlata was hardly 14 when she entered the film world and challenging the predominance of Lata - Asha, she successfully made a very respectful place for herself in the field of playback singing.